Pierre

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Our First Night in Sao Tome

About a block away from Residencial Avenida is a bar owned by a French man named Pierre Blanchett. Among other things, Pierre is a graphic novel enthusiast, an art collector, a businessman, and a musician. Curiously, Pierre traveled to several African countries before settling, unexpectedly, in the small island of Sao Tome. He has owned this bar for three years now. After getting a coca-cola, I sat down in the adjoining room bathed in pink light. On the wall a bronze mask, lit from behind, emitted a fiery smile illuminating the guitar lying on the coffee table. With little musical training, I succeeded in playing a few chords on the guitar before attracting a small group. Pierre joined with his ukulele while Cynthu drummed and Melissa sang. The music was diverse ranging from familiar Beetles tunes to Bob Marleyโ€™s Donโ€™t Worry, Be Happy. But most interesting for me was the traditional Portuguese folk songs and new age jazz from France.

Pierreโ€™s friend, Sonia, sang traditional Fogo in a soft, melodious voice only slightly drowned by the noises of the bar. Noises caused principally by three Portuguese men, Zhee, Manuel, and Eric. Eric had a full beard that gave him an air of seriousness adding credibility to statements that were almost always half-truths at best. One such story ran as soโ€ฆOne day, I was showing inspectors around my navel ship. I told them that I was the shipโ€™s cook even though in reality I was the Captain. As I walked, the men would salute me. The inspectorโ€™s questioned, incredulous, โ€œI thought you were the cook?โ€ to which I would respond โ€œI am the cook; they salute because my food is so good.โ€ Finally, the inspectors and I arrived in the Captainโ€™s quarters. Again the inspectors questioned โ€œAnd youโ€™re the cook?โ€ to which I responded confidently โ€œOf course, they gave me the best room in the house because they did not want me to leave.โ€ It was difficult to infer when Eric was telling the truth because he had initially introduced himself as a musician who played a rare Portuguese string instrument. By the end of our conversation, I just thought everything he said was a lie until I saw his face two days later on the television in his Captainโ€™s navel uniform.

On other nights, we might Sao Tomean filmmakers who had traveled to the United States, Brazilian scuba divers, fellow artists, the Sao Tomean ambassador, and other administrators.

Jessica Bastidas

Hello, my name is Jessica Bastidas. I am sophomore at the Maryland Institute College of the Arts in Baltimore, MD currently pursuing a Dual Degree in Illustration and Humanistic Studies and a Masters in Art Education. The diverse subject matter and mediums demonstrated in my art reflect my interest in all facets of illustration and my quest to develop the skills and working process necessary to effectively synergize text and imagery in such a way that they will successfully communicate the central moral of the work to a child audience. I learned the power of believing, the strength of confidence, and the joy of experiencing something newโ€”all from books. With lessons in British and English Literature, Creative Writing, and Child Psychology, paired with a strong artistic education, I hope to learn the techniques necessary to write and illustrate stories that help children deal with issues such as bullying and divorce while simultaneously empowering them with the character traits necessary for success including compassion, confidence, and commitment. Potentially, these lessons will help the youth as they mature and determine a positive direction for the future of our community and culture. By joining the Maryland Institute College of Artโ€™s illustration program at Sao Tome and Principe, I not only reflect my interest in the field of Childrenโ€™s book, visual journalism, and editorial illustration, but also wish to answer my questions concerning how to influence a person from a different cultural background through the communication of common themes. I hope that through travel and exposure, I can uncover what this universal commonalities areโ€”enabling me to substitute the cruel constraints of a mundane reality with the infinite possibility of growth, change, and development.