Cape Verde Day 1

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Cape Verde Day 1

Landed in the airportโ€ฆafter a brief search for our bags and a long line waiting for the stamp of approval on our visas, we headed out the door. We were immediately bombarded by young man demanding in rapid Portuguese that we allow them to carry our bags. Warned beforehand, all four girls tried to keep ahold of their suitcases, but failed as the men carried them briskly to the nearest taxi.

Driving past the fortress on the hill, we gazed up at the stone walls that once protected against invading pirates. Visions of the dry countryside flew past the window. Turning quickly from a grayish white, to yellow, to the sandy red of exposed clay, the buildings seemed to be made primarily of mud brick or stone faced with colorful plaster upsetting the primarily monochromatic landscape abruptly with an intense accent of colorโ€ฆthe faรงade of a turquoise blue bar or a lime green apartment. The roads served as an apt frame neutralized by the dusted cobbles.

We were let out in front of a building that was to be our hotelโ€ฆbut it wasnโ€™t. After my Porfessor, Alain, made a few calls, we discovered that the hotel had moved two streets over. We grabbed our suitcases and began to walk. You could hear some of the people calling โ€œAmericanaโ€ or โ€œBlancheโ€ (referring to Mellissa and Allison) who stood apart as the only white people in a sea of Cape Verdeans. Soon we arrived at Hotel Santa Maria.

After locking our belongings in a room, Alain led us out into Cape Verde. Walking rapidly, we followed behind quickly taking notes of what we saw. In a barrage of images, I recall several stray dogs walking along the rooftops or on the streets begging for scraps; some had sores and their bones stuck out so far I feared they pierced the skin. Cats yowling at a group of pigs trapped under a woven basket. An assortment of pots with curving lips that overflowed with lentils. Crates topped with fish and knotted by strands of garlic.

Down the zigzagging path, women sat with their sale goodsโ€ฆused flip flops, coca cola, and rows and rows of childrenโ€™s shoes. They called out prices in Portuguese. Some sought shade in an abandoned building that may have been an apartment at some point but now all that remains is a roof and the concrete frame.

We passed through one market only to be swallowed by another. Women were breastfeeding their babies as they bat away flies from the ripening fruits with a frayed broom. Men sat busily working at sewing machines manufacturing pants, dresses, bags, and cloth shoes out of textiles from India and the U.K. 

Jessica Bastidas

Hello, my name is Jessica Bastidas. I am sophomore at the Maryland Institute College of the Arts in Baltimore, MD currently pursuing a Dual Degree in Illustration and Humanistic Studies and a Masters in Art Education. The diverse subject matter and mediums demonstrated in my art reflect my interest in all facets of illustration and my quest to develop the skills and working process necessary to effectively synergize text and imagery in such a way that they will successfully communicate the central moral of the work to a child audience. I learned the power of believing, the strength of confidence, and the joy of experiencing something newโ€”all from books. With lessons in British and English Literature, Creative Writing, and Child Psychology, paired with a strong artistic education, I hope to learn the techniques necessary to write and illustrate stories that help children deal with issues such as bullying and divorce while simultaneously empowering them with the character traits necessary for success including compassion, confidence, and commitment. Potentially, these lessons will help the youth as they mature and determine a positive direction for the future of our community and culture. By joining the Maryland Institute College of Artโ€™s illustration program at Sao Tome and Principe, I not only reflect my interest in the field of Childrenโ€™s book, visual journalism, and editorial illustration, but also wish to answer my questions concerning how to influence a person from a different cultural background through the communication of common themes. I hope that through travel and exposure, I can uncover what this universal commonalities areโ€”enabling me to substitute the cruel constraints of a mundane reality with the infinite possibility of growth, change, and development.